Hello 2024!

Tuesday, January 2, 2024

I always love the start of a new year. As usual, I’ve updated my Gallery page to see all the projects I completed over the year. Sometimes years are more productive than others, and last year seems to have had a small lull, but I must remind myself that a lot of that was due to learning Adobe software and such.

As I mentioned last time, I want to bring more painting into my work, so I kept playing with the media I have on hand. I started with just watercolor pencils, to make a simple sky and normal coloring pencils for the silhouette landscape. I topped it off with a sparkly golden paint wash. I was really just getting a feel for how the pencils could layer or interact with each other, or how to add the blotchy look in the watercolors.

I saw that not all my normal coloring pencils were waterproof, as seen in the streaking here, and that was a good lesson. I went on to test all my blacks, pencil and pen, to see how water would or wouldn’t impact them. I now have that cheatsheet handy, if needed. And in a different project that I’ll post about shortly, I learned that these utensils may be waterproof, but not gesso proof. I’ll have to sit down one day and really make a scientific study of my supplies.

Another lesson learned was that I screwed up with my original deer which had been placed on the top of the hill, but rather than being frustrated with a piece “ruined” I covered it up with a large bushy tree and put a deer somewhere else. You can’t let mistakes get you down, or you’ll give up!

Then I went on to see if I could cut out cloud shapes and use them as stencils. That worked ok, and would be better if I used something impervious as the template rather than paper. But this wasn’t meant to be anything more than a technical study. I also wanted to see what would happen with drippy paint, and I used the techniques I saw online, where you paint a path with water for the watery paint to then follow.

Then I went back to the deer idea, since I realized it was important to me to have a deer in that first scene. I have always loved deer, so I was thinking that maybe they should appear more in my work. I used my camera Lucida app mentioned here to quickly sketch out a doe. Then I used small squares of tracing paper to find out what my own style of drawing a deer might look like. This went through a lot of variations (12 I think total). At the end, I saw which parts I kept including – the eyes, ear shape and darkened outlines, her adorable little chin, and the musculature of the jaw.

I also liked how some of the tracings stacked on top looked together – a faded backdrop with a crisp outline on top. A few of my doodles also included a pattern on the forehead. But for my last study, I just used color on the second sheet (tracing paper wrinkles some, but is otherwise fine for watercoloring, I noticed).

Having drawn this deer over and over, 10 times from a trace and twice without looking at it, I was able to draw another deer later at a restaurant with some crayons while we waited for food, and it turned out pretty nicely! I think adults are shamed away from tracing and copying, but it really is a starting point of how practice makes perfect. No one questions the ethics of children doing this, and I think the same freedom should be allowed for adult beginners.

 

 

See more posts related to:

0 Comments

Submit a Comment

Your email address will not be published. Required fields are marked *

Looking for more cases of the Crafties?
Stitch Club: Maue

Stitch Club: Maue

TextileArtist.org’s Stitch Club with Joetta Maue prompted a stitched piece from a photograph and I’ve recreated an adored image of my late grandparents.

read more
Hexie Dreams 17

Hexie Dreams 17

A quick update on my fussy-cut EPP hexie dreams quilt. A whopping 131 flowers are now complete, yay!

read more
Stitch Club: Weighton 2.1

Stitch Club: Weighton 2.1

Haf Weighton lead another TextileArtist.org’s Stitch Club workshop on architectural layering, and I was inspired to render New Albany’s Culbertson Mansion based on a photograph by Daniel Andis.

read more
Stitch Club: Sproule

Stitch Club: Sproule

April Sproule led a TextileArtist.org’s Stitch Club using a spiral concept. I felt like this would be a nice project for a friend and asked her for a color palette, hence the unusual-for-me color theme.

read more
Collaged Slow Stitch

Collaged Slow Stitch

I made a quirky and weird slow-stitched collage to try to push through a creative slump. It was much more about doing than the outcome.

read more
Stitch Camp 2023

Stitch Camp 2023

I stitched this mixed media piece following Gwen Hedley’s instruction through TextileArtist.org’s Stitch Camp.

read more
Tea Cup study

Tea Cup study

I was inspired to stitch up a stack of tea cups which lead to starting a second project that I’m still thinking about.

read more
Stitch Club: Clover

Stitch Club: Clover

Jette Clover lead a TextileArtist.org’s Stitch Club using scraps and a stamp. I used a country farm stamp with a big red barn as inspiration.

read more
Stitch Club: Tume

Stitch Club: Tume

Kate Time lead a TextileArtist.org’s Stitch Club on narrative bead texture, and I was inspired to have a play!

read more
Open Press Project

Open Press Project

I ordered a small print press from the Open Press Project and have begun experimenting with pressing leaves.

read more
Stitch Club: Notman

Stitch Club: Notman

Emily Notman lead a TextileArtist.org’s Stitch Club where we would learn to make a jar wrap, and I was inspired to create a scene along a lakefront at sunset with cattails blowing in the wind.

read more
Stitch Club: Bliss

Stitch Club: Bliss

Oliver Bliss lead a TextileArtist.org’s Stitch Club recently centered on color blocking, and I was inspired to stitch up a skull with flowers.

read more