Shawkl’s ICQC 103 seams

I made it all the way through the Intermediate Crazy Quilt Course with Kathy. This last task included specific requirements for seam treatments but it was really open to choice. Obviously, I will continue to work on this project so that I can piece it all together, but I don’t plan to post about it along the way. It might be quite some time before I get to the finish line!

First, let me tell you how I envision the overall mini-quilt. Because this course focused on motifs, I want the seam treatment to be less of a showrunner than my previous projects (see my BCQC block 1 and block 2). I want them to recede a little, but also pull the whole thing together. I took a cue from my real crazy quilt and am going to use mostly one colorway for all the seams (browns).

If you are a long time follower, you’ve seen this quilt many years ago, but the one below is the one I am referring to (with matching pillow!). It is made with fabrics from my family members: silk ties, couch upholstery, cheerleading outfits, dresses, etc. My aunt led the project, and my grammas, great gramma, and mom helped embroider. My aunt is a master quilter so all high school graduates got something really phenomenal. The added motifs sometimes were chosen specifically because it was being made for me. For instance, my friend Tiffany gave me the fabric star you see in the first block and my aunt included jazz ladybugs on the yellow satin in the top row because I had a music background (I played the violin).

My gramma stitched a graduation cap in the top center block (upside down because of the quilt hanging), and my aunt (who made my senior prom dress) included a miniature version of my dress (second block, second row). I also had a tarantula, so there is a spider web included – can you find it?

I decided earlier this week to sit down and actually catalog the seams, which are almost only one kind of gold perle cotton (with rare additions of floss in deep pink or dark green). It was a fun test – I actually know the names of quite a few stitches now and I remember struggling when I first began learning. It took much longer than I ever thought it would – several hours! There are over 400 seam treatments (I lost count). On average with this count, each block sported about 15 seam treatments as there are 30 blocks. I recorded unique seam treatments, even if they varied only by the addition of a French Knot and came to 112 unique stitches on this quilt! I don’t think my foremothers would have ever suspected I would investigate their work – this process was much more interesting than I would have imagined because not only did I find stitches I can’t recognize, but I think I can associate groups of blocks to a particular person based on choices and execution. Fun stuff! 

So that is my motivation to choosing simplified seams – and I am going to incorporate seams from this quilt as an homage of sorts.

Ok, so here we go, back to the subject of this post!

On this block, I added a pearl stitch between the two motifs, and then a stitch from my quilt: a straight feather stitch with three varying bars.

This block got a zigzag stitch with woven roses tucked in embellished with daisy leaves filled by straight stitches. I began another seam with a stem stitch, but this wasn’t part of class.

This block has a tiny herringbone stitch behind the tree, while a chevron stitch marches uphill. It is expanded upon by an overlap of wonky buttonhole stitching and flowers (straight stitch, daisy leaves filled with smaller detached chain stitches and a straight stitch, and woven ribbon petals).

I chose a vine to add weight to this block. My go-to stitch is stem so after seeing my crazy quilt, I changed it up and used outline stitch. Truly, I had forgotten that there is a difference in look! It is decorated with ribbon stab-stitched leaves and fly stitch ribbon flowers. I hope to continue it to the connecting block. Let’s see if I remember that! Then I also added something else from my inspiration: chain stitch half-wheels with straight stitch spokes.

These blocks are not complete. Not only will more seams be treated, but I still have the other embellishments to add: buttons, charms, beads, and such. I have 9 hexagon blocks in total, and I will have to add diamond blocks between them, possibly, depending on how I want to sew it all together. Maybe I will even add a few more blocks to make it work out right – who knows! As I said, this project is in the Long Game pile.

Floss tassels

I discovered a free tutorial to make floss tassels over at Hobby Lobby and gave it a go. Of course I selected the spectrum of corals/blushes/pinks; how could I prevent myself?

I made the one on the left first, following the directions except that I didn’t use any glue. Instead, I threaded the last color at the end through a needle, and then secured it by threading it through previously wound threads. The wrapped ring is kind of bumpy from having the tied ends of two colors meeting. I didn’t like that, plus I needed more practice to make it look nicer!

For perspective, these are only about 3 inches tall. I wrapped the left one like this: the coral 10 wraps, then 5 for the orangey color, 5 for blush, 10 for the light color, and repeat – then I think 10 times for the brownish color. The second one is slightly different, with the light color and brownish one wrapped ten times, but the other colors wrapped 7.

It must be noted that I made the second one differently from the pattern. It calls for you to tie on each color as you go, from one side to the next. Instead, I laid all my colors onto the skein evenly, except for the last color that connects the skein once it is folded in half. I let that one start in the middle and only hang off one side. Following that, I began in the middle and worked outwards, then flipped it and began in the middle again. When I got to the last color, I wound it around one side just a few wraps, then pulled it tight to the other side to wind a few, before winding them both together. And again, no glue. I found that this resulted in less defined bumps (only one color is tied, rather than two at each meet). 

If I make these again (and I probably will – super easy, super fast, and infinite color combinations and sizes!), I will use the second method rather than the pattern’s.

And, when trying to find the link to this tutorial again, I found that DMC now has all their patterns available for free, so I swiped a rather large compliment of lace edging designs. Guess I’ll be needing to dig out my crochet needles!

Shawkl’s ICQC 103 Ribbon V

The last task in the monogram segment is to make a puffy ribbon letter. I chose to use my own handwriting for the shape, and V for my surname since it represents both Boy and me.

I couched the 7mm silk ribbon down with some specialty perle cotton, which has a thin metallic gold stream running through it. (If you want more details for the fern motif, check out the post I made here.)

I may decorate the V more when I begin embellishing the blocks themselves, but I do enjoy its simplicity here for now.

I was reminded, also, that ribbon embroidery really needs a hoop stand to lessen its frustration. Too bad I leant my out!