TA Stitch Challenge #1

Monday, March 30, 2020

My friend pointed me over to TextileArtist.org who is running a free stitch challenge right now. For me, this is perfect timing! The article about Sue Stone, who lead this stitch challenge, really seemed to reflect me in parts. I have collected a lot of technical skills, but little by way of process. I’m still learning about “process” but I think it is the key I’ve been searching for. Time will tell. 

Anyway, I approached this challenge, by Sue herself, quite casually as I focused on process rather than result. My fabric is an old scrap that is marred by a stain caused by a marking pen (I ironed it before spraying it with water so it never disappeared). I chose to stitch free rather than in a hoop. You know, I use to think that for me, a hoop was like training wheels, and once I got good at stitching, I could easily begin stitching without it as I know many people do. But now I know that I prefer the hoop for so many reasons, not just for tension! And I didn’t worry about perfect stitches either. I was not stitching to make something to show; I was stitching to learn the process of creating. It was exactly a practice piece – though not a practice in technical skill (aka perfecting stitches).

Sue set the guidelines of making a quadrant and selecting a single type of embroidery stitch. I chose running, as it would be quick and easy. As with other “series” of works, I wanted to begin with a title, so to speak, so a big initial and the year fill one box.

A geometric plaid type of theme fills another.

Boy calls this one “space tunnel” and is based off of doodles I do a lot – I guess kind of like the eye of a peacock feather?

And this last one was using negative space to define a shape in each color block.

So there is nothing super amazing about this little sampler for the viewer. But I got to practice a very basic process concept in working it. I began with an idea (directed by Sue), pulled out a piece of paper to sketch, considered options for design, and selected the items I would need to bring it to life. I did change the plaid design to try to better compliment the overall piece, but other than that the idea in my head was brought to reality as a process from the ground up. See, normally, I wing it. How many times have you heard me say “I started this project without really knowing how I would finish it…” and troubles arose. Or, let us think about how I was able to fully execute Mabel the Raccoon – which started as an idea, moved through a doodle and photoshop, and then became my very first real piece of my own creativity! You’d think I would have figured all this out back then, ha!

It appears that the second stitch challenge, released today, is only available on Facebook (where I do not reside). So unless that changes, I will work on process in other ways. 

 

See more posts related to:

0 Comments

Submit a Comment

Your email address will not be published. Required fields are marked *

Looking for more cases of the Crafties?
Hexie Dreams 18

Hexie Dreams 18

My fussy-cut EPP Hexie Dreams quilt is coming along. All the flowers were stitched into rows and the rows are being stitched together now for the final push. I also share some of my dear sewing supplies!

read more
Stitch Club: Maue

Stitch Club: Maue

TextileArtist.org’s Stitch Club with Joetta Maue prompted a stitched piece from a photograph and I’ve recreated an adored image of my late grandparents.

read more
Hexie Dreams 17

Hexie Dreams 17

A quick update on my fussy-cut EPP hexie dreams quilt. A whopping 131 flowers are now complete, yay!

read more
Stitch Club: Weighton 2.1

Stitch Club: Weighton 2.1

Haf Weighton lead another TextileArtist.org’s Stitch Club workshop on architectural layering, and I was inspired to render New Albany’s Culbertson Mansion based on a photograph by Daniel Andis.

read more
Stitch Club: Sproule

Stitch Club: Sproule

April Sproule led a TextileArtist.org’s Stitch Club using a spiral concept. I felt like this would be a nice project for a friend and asked her for a color palette, hence the unusual-for-me color theme.

read more
Collaged Slow Stitch

Collaged Slow Stitch

I made a quirky and weird slow-stitched collage to try to push through a creative slump. It was much more about doing than the outcome.

read more
Stitch Camp 2023

Stitch Camp 2023

I stitched this mixed media piece following Gwen Hedley’s instruction through TextileArtist.org’s Stitch Camp.

read more
Tea Cup study

Tea Cup study

I was inspired to stitch up a stack of tea cups which lead to starting a second project that I’m still thinking about.

read more
Stitch Club: Clover

Stitch Club: Clover

Jette Clover lead a TextileArtist.org’s Stitch Club using scraps and a stamp. I used a country farm stamp with a big red barn as inspiration.

read more
Stitch Club: Tume

Stitch Club: Tume

Kate Time lead a TextileArtist.org’s Stitch Club on narrative bead texture, and I was inspired to have a play!

read more
Open Press Project

Open Press Project

I ordered a small print press from the Open Press Project and have begun experimenting with pressing leaves.

read more
Stitch Club: Notman

Stitch Club: Notman

Emily Notman lead a TextileArtist.org’s Stitch Club where we would learn to make a jar wrap, and I was inspired to create a scene along a lakefront at sunset with cattails blowing in the wind.

read more
Stitch Club: Bliss

Stitch Club: Bliss

Oliver Bliss lead a TextileArtist.org’s Stitch Club recently centered on color blocking, and I was inspired to stitch up a skull with flowers.

read more