I embellished a hand-stamped scrap of fabric with embroidery thread to make a pin for my gramma.
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Sue Stone’s third workshop with TextileArtist.org’s Stitch Club prompted us to use text in our piece, so I recorded a trip to Shawnee National Forest.
Sue Stone led a TextileArtist.org’s Stitch Club in her well-known portrait style, and I was inspired to capture a man in a hat in four variations.
I stitched ink-stamped pieces of fabric to make two small embroidered pins/buttons as gifts.
I finished a second bookmark based on a historical Egyptian pattern darning design by Lin Vandenberg.
My hand sewn fussy-cut EPP Hexie Dreams quilt is all ready to go to my gramma for hand quilting. Check out a few of my embellished hexies, and come back in the future for the finished product!
I present to you My Village Quilt, based on the Urban Village Green quilt: a four-year-long project that tipped the love-hate scale finally over to love.
TextileArtist.org’s Stitch Club with Joetta Maue prompted a stitched piece from a photograph and I’ve recreated an adored image of my late grandparents.
Haf Weighton lead another TextileArtist.org’s Stitch Club workshop on architectural layering, and I was inspired to render New Albany’s Culbertson Mansion based on a photograph by Daniel Andis.
April Sproule led a TextileArtist.org’s Stitch Club using a spiral concept. I felt like this would be a nice project for a friend and asked her for a color palette, hence the unusual-for-me color theme.
I made a quirky and weird slow-stitched collage to try to push through a creative slump. It was much more about doing than the outcome.
I stitched this mixed media piece following Gwen Hedley’s instruction through TextileArtist.org’s Stitch Camp.
I was inspired to stitch up a stack of tea cups which lead to starting a second project that I’m still thinking about.
Jette Clover lead a TextileArtist.org’s Stitch Club using scraps and a stamp. I used a country farm stamp with a big red barn as inspiration.
Kate Time lead a TextileArtist.org’s Stitch Club on narrative bead texture, and I was inspired to have a play!
Emily Notman lead a TextileArtist.org’s Stitch Club where we would learn to make a jar wrap, and I was inspired to create a scene along a lakefront at sunset with cattails blowing in the wind.
Oliver Bliss lead a TextileArtist.org’s Stitch Club recently centered on color blocking, and I was inspired to stitch up a skull with flowers.
I used a tiny scrap of stamped fabric to make a tiny canvas showing a tea kettle on a table.
I was inspired by Mandy Pattullo to make a chickadee wall hanging mixed media piece.
As part of TextileArtist.org’s Stitch Club, Ruth Norbury tasked us with making a textural mixed media peice and I chose Hubert Robert’s La Fontaine painting as my subject.