Sue Spargo’s Textured Embroidery Craftsy Class

You might recall that I signed up for two Craftsy courses earlier this year. Today, I present to you my first finished project, from Embroidering Texture and Dimension from Sue Spargo.

I ordered her fabric kit but could not justify spending an equal amount on the threads (once I become “pro”, I won’t mind spending for upgrades!). Instead, I used what I have left of a starter pack of cheap stuff Boy bought me many moons ago. Honestly, that wasn’t a terrible idea – most of the colors worked well and were chunky enough to stand out from the felt. Shrug.

My first challenge with this course is that the course itself was not what I expected. I am new to Craftsy and did not understand two important things: 1) that the cost of the class does not include supplies (this was a “DUH!” moment, considering how cheap the courses are), and 2) more related to the class itself, I had expected a step-by-step guide of how to replicate one of her pieces. What she offers is the inspiration to go at it yourself, explaining how she chooses combinations of colors and textures, and she does show you step-by-step on some stitching. In the end, that method of teaching is more valuable as it teaches you critical thinking skills on how to pull something together with your own imagination, but until I realized that, I was uncomfortable!

But my second (and largest) challenge was that my imagination is picky. Though I do enjoy looking at Sue’s bold and vivid work and I relish in her texturizing, overall it is not my personal style. I am not a fan of butterflies, and I felt very uncomfortable having so many “clashing” colors in the fabric kit without explicit directions of how to put them together so that they look as great as Sue’s. And toss that in with no step-by-step, use-these-stitches-together guide and I found myself squarely outside of my comfort zone. For a while I was frustrated (not with the class – with myself!); ya’ll know me: I generally whip out projects as fast as I can (sometimes too fast!) because I have clear ideas of the final product. This? Not so much. I didn’t even know what I was going to do with it once I got it done because I just sort of kind of hated the whole thing (no offense, Sue!)! Give me color combinations I swoon over, or shapes I collect in my mind’s inspiration vault, and I’ll go to town with ideas! But this… this was a challenge, for sure.

I figured a good inspriation would be to order Sue’s Creative Stitching book and make a small practice sampler of them. It probably helped, but honestly I am not quite sure how to explain that, somehow, it all did eventually come together. I cut out all the felt butterflies, and then continued to hold off working on the project. I finally added the cotton appliqué to them, and then sat on it. I began figuring out the background embellishments and was able to finally begin stitching on that. But then once the background of soft oranges was completed, guess what? It was shelved once again. Finally, I made the bold move to Just Make.

The background was the easiest part. I just had to keep things in the same general color family and hue. Here are just a few things I worked on for that: bullion knots couching twine as a border; small seed beads arranged around the edge of a micro-fiber cloth (found object from some tech item, I’m sure); and finally colonial knots anchoring ric rac along a pinked strip of felt as well as colonial knots decorating printed fabric, attached with the buttonhole stitch. Other stitches for the background were simply quilting (running stitch) and backstitch on cotton, varying sizes of Algierian eye stitch on cotton, flystitch outlining cotton, seed stitch on velvet, couched yarn along a piece of upholstery fabric, and ladder herringbone stitch along a ribbon with variegated thread. Look for them in the close-ups of butterflies below!

Adding the stitches to the butterflies seemed daunting at first but really once I started, the process just went. I stopped stressing over it – the idea was to learn, and surely I was doing just that! I will list a few, if not all, key stitches used in the individual butterflies below each photo. All the bodies were outlined in outline stitch, stem stitch for the antennae, topped off with colonial knots. (Note: I did not keep a record as I made each one, so it is entirely possible I have some mismarked!)

Stem Stitch, Whipped Woven Circle, Crested Chain, ZigZag Chain Stitch

Buttonhole Scallop, Stem Stitch, Back Stitch, Bullion Rose, and what I call “reversed” Blanket Stitch

Stab Stitch, Colonial Knot, Outline Stitch, Pekinese Stitch

Double Laced Running Stitch, Scroll Stitch, Colonial Knots, Split Stitch, Straight Stitch

Italian Knotted Border, Colonial Knots, Straight Stitch, Scroll Stitch

Colonial Knots, Straight Stitch

Straight Stitch, Bullion Knot, Back Stitch, Chain Stitch, Stem Stitch, Crested Chain Stitch

Closed Fly Stitch, Staight Stitch, Coral Stitch, Split Stitch, Woven Wheel Stitch

Split Stitch, Scroll Stitch, Seed Stitch, Blanket Stitch

Triple Chain Stitch, Detached Chain Stitch, Chain Stitch, Straight Stitch, Stem Stitch

Woven Circle Stitch, Straight Stitch, Palestrina Knot, Chain Stitch

Chain Stitch, Colonial Knot, Bullion Knot, Coral Stitch

Colonial Knot, Straight Stitch, Split Stitch, Pearl Stitch

Bullion Rose, Colonial Knot, Stab Stitch, Chain Stitch, Buttonhole Scallop Stitch, Straight Stitch

Double Whipped Chain Stitch, Colonial Knot, Stem Stitch, Straight Stitch

Some stitches were much easier than others, and some took a lot of work. Many people who have seen the pillow ask how much time it took. I estimate, based on the number of Netflix shows I watched, that each butterfly took about 2 hours to embroider (not to cut out, and not to appliqué). The rest of it was done in piecemeal throughout much of the year, so it is hard to really know, but I would hazard a guess of maybe 60 hours, give or take. Cutting, ironing, planning, seam-ripping, youtubing/reading for instructions, and so on – maybe I should hazard a higher guess, huh?

And once I realized my new window seat just had a boring white pillow, I checked the measurements of the panel and realized that with a little top and bottom border (reclaimed from fancy faux suede napkins), I’d have a pillow case. Tada!

 

appliqué gift

Howdy folks! My sister-in-law finally found a home on her wall for the gift I made for her wedding. She hung it above a piece of furniture she inherited from her grandmother, which she painted a cool color – check it out!

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Here’s a close up. I am wondering how to avoid the look of the seam allowance in the method of hand appliqué I chose. Whatever, though, it’s handmade :)

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First applique experience

I finally wrapped up my sister-in-laws 2-year-belated wedding present and gave it to her. In this post, I am going to talk about the process. When she sends me over a photo of it hung on the wall in all its glory, I will post the final look.

I learned many things. One, I like appliqué as much as I like hexagons. For her project, I used all free materials, except we purchased the background (a nice canvas for structure) and the trim (upholstery piping). The rest came from her grandmother who has passed away, her stepmother (my neighbor, a quilter and giver-of-scraps), and what I had in my stash (some gifted from my friend Leslie). I used a template I found on the internet, but for the life of me I cannot find its source again. Grr! I did not use the giant one, mostly the three on the left and a few of the one on the bottom right.

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The process was simple – cut paper templates out, baste stitch around the edge and press.

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Oh, so two, I learned the difference between ironing and pressing. And three, that you can burn your ironing board cover :(

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Kaite was very lax about what she wanted. Or where she wanted to put it. So, I tried to stick with neutrals and her general house colors, but she also said to make it a bit fun. I selected a rainbow of colors and fabrics.

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Not all of them made the cut once I started putting them together. I think I only used about half of the ones I had prepared. Here is a look at all of them:

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My inspiration came from this image, I found through a foray into Pinterest (I do not have a Pinterest account, for the record – but I scope it out every now and then. But not having it prevents me from locating this art’s owner…).

flower

A long time ago, I bought this rectangular embroidery (?) “hoop” (is lap-quilt frame more appropriate?) for a project that I hope to embark on soon for a coworker of mine. (See a theme here about belated projects?) It worked out really well! I pinned the petals in place, and then appliquéd them on one by one. And four, let me tell you, Star Trek TNG is starting to get really, really good. I am almost on Season 4 and I am just now starting to understand why the internet thinks Picard is such a badass (when I was little, he was just the old man!). Now, I know.

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An easy roll-over over to finish the edge:

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Even with the original choices for this pattern, not everything made the cut in the end. You’ll see that in the finale in the next post.

Then, some embroidery for the bride and groom – standard backstitch in a complimentary brown.

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I had to cut it to size, and I lost some of the petals here. It was slightly crooked so to square it off; more got chopped off than originally planned. Then, of course, adding a quarter inch seam all around ate some of the real estate too.

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I had another piece of canvas for the back trimmed out with pockets for a rod – to either be hung vertically or horizontally (the embroidery works with both!). And, to either be hung so you do see the rod, or with spaces so you can use rod hangers behind the whole thing so the hardware doesn’t detract from the view. I wasn’t sure how they would hang it, or if they would want it hidden or not. I sewed the front and back face-to-face and left a fairly large hole to turn it out. More pressing and ironing. Then I sewed the trim to the backside (I was too afraid to try to get it perfect whilst sammiched inbetween). I also wanted to hide the edges of the canvas for the rod pockets, but with them being that small, I could not get them to turn out. The sides are nicely hemmed, but the bottom isn’t. And ironing them was a pain also, so I went with fray check (the darkened line across the bottom). I mean, it’s the back, right?

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See those sweet scissors? Boy got them for me for my birthday! He says no embroiderer is complete without gold swan scissors. He admires them for their engineering and is sad he is not allowed to use them (he’s learned the hard way about my sewing sharps!). I should mention he is the one who picked out the background and trim for Kaite’s project. He’s very proud of that.

Hopefully she will send me pics along soon to show you the front so ye can be dazzled.

I also learned finally how to not end up with crazy knots all over the backside (in all of that, I had one knot – in the embroidery – and I was able to get it out before I tied it off!). I was so proud of it I took a photo, but the thread is too much the same color as the canvas and you can’t tell what’s going on. Just believe me. It was cool.

Sneak peek

I have been sewing while watching Star Trek: TNG. I swear, that is the best sewing series around! It is amazing that I grew up watching it, yet every now and then, I come across an episode I have zero memory of. Very fun!

Here is a sneak peek of something I am working on for my sister-in-law. I had hoped to get it to her before her anniversary (cause, you know, it is actually her wedding present…), but we all know that won’t happen. This year, at least.

Anyway, the picture doesn’t really describe anything. It is just a cool accident I found on my camera, but it gave me good reason to let ya’ll know I haven’t given up on crafting!

sneak_preview